A delicate passion for alternative perception characterizes Pili Concellón's proposal, throughout all his work we can see that not only does he lateralize the natural sense of the image, but also, in this displacement, one finds himself face-to-face with reinvention semiotics of visual content. Sometimes bordering on abstraction, this exercise in taking care of forms, confronts us in a controlled way with a proposal that does not renounce its prosodic intentionality and from which, in some pieces, it is inevitable to emerge unscathed.